Paul HADOL’un orijinal Fransız baskısı olan Avrupa’nın bu yergili karikatür haritası (1870), ülkeleri kişi biçiminde karikatürize ederek Temmuz 1870’de Fransa Prusya Savaşı ile neticelenecek gerginliğe gönderme yapmaktadır.

Politik karikatür haritaların (Serio-Comic) ilk örneklerinden olan HADOL’un haritası İngilizce, Almanca ve Flamanca olarak kopya edilmiştir.

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Rare Italian profile vie0w of Constantinople.
13.8 x 41.5 cm.

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BRAUN, Georg and HOGENBERG, Franz

1575

33 x 48 cm, Orginal hand colored, Framed

The city view include monuments of Saint Sophia, Topkapi Palace. Twelve vignettes of Ottoman sultans line the bottom margin, including portraits of Soliman the Magnificent and Selim. Numerous ships in Bosphorus and Golden Horn. Mounted Sultan with entourage at bottom center.
CAPTION: Byzanz, now Constantinople.
COMMENTARY BY BRAUN: “Byzantium is a central place, because no one can travel to Asia or Europe without the city’s consent, since for one part of the world the city is like a bridge or a gate. It is bound by the sea on three sides: to the north the arm of the Bosporus, which belongs to Europe and is called Cornus (Horn). To the east the Bosporus Strait, to the south the Sea of Marmara.”
Constantinople is shown in bird’s-eye perspective from the east. The view looks directly down upon the new palace within its 200-acre park that was built by Sultan Mehmed II in 1453, immediately after the conquest of the city; since the 18th century it has been called the Topkapi palace. Beside it on the left stands Hagia Sofia, the coronation church of the Byzantine emperors. It was turned into a mosque on the day that Constantinople fell and subsequently given four minarets, still visible on the plate. Further left again are Roman ruins including obelisks and an amphitheatre. The city was founded in 668 BC under the name of Byzantion (Byzantium) by the Greeks, for whom the Bosporus Strait was already of strategic importance. Incorporated into the Roman Empire under Vespasian, in AD 324 the city was made the capital of the Eastern Empire by Emperor Constantine and renamed Constantinople. The 11 medallions along the lower edge contain the portraits of all the sultans, from the founder of the Ottoman Empire, Osman I, up to the current ruler of the day, Selim II. The name Istanbul was already in colloquial use in Ottoman times, but would replace Constantinople as the city’s official name only in 1930. With a population of some ten million, Istanbul is today the biggest city in Turkey. (Taschen)

Braun G. & Hogenberg F. and the Civitates Orbis Terrarum.
The Civitates Orbis Terrarum, or the “Braun & Hogenberg”, is a six-volume town atlas and the greatest book of town views and plans ever published: 363 engravings, sometimes beautifully coloured. It was one of the best-selling works in the last quarter of the 16th century. Georg Braun wrote the text accompanying the plans and views on the verso. A large number of the plates were engraved after the original drawings of Joris Hoefnagel (1542-1600), who was a professional artist. The first volume was published in Latin in 1572, the sixth volume in 1617. Frans Hogenberg created the tables for volumes I through IV, and Simon van den Neuwel created those for volumes V and VI. Other contributors were cartographer Daniel Freese, and Heinrich Rantzau. Works by Jacob van Deventer, Sebastian Münster, and Johannes Stumpf were also used. Translations appeared in German and French.
Following the original publication of Volume 1 of the Civitates in 1572, seven further editions of 1575, 1577, 1582, 1588, 1593, 1599 and 1612 can be identified. Vol.2, first issued in 1575, was followed by further editions in 1597 and in 1612. The next volumes appeared in 1581, 1588, 1593, 1599 and 1606. The German translation of the first volume appeared from 1574 on and the French edition from 1575 on.
Several printers were involved: Theodor Graminaeus, Heinrich von Aich, Gottfried von Kempen, Johannis Sinniger, Bertram Buchholtz and Peter von Brachel, who all worked in Cologne.
Georg Braun (1541-1622)
Georg Braun was born in Cologne in 1541. After his studies in Cologne, he entered the Jesuit Order as a novice. In 1561 he obtained his bachelor’s degree and in 1562 his Magister Artium. Although he left the Jesuit Order, he studied theology, gaining a licentiate in theology.
Frans Hogenberg (1535-1590)
Frans Hogenberg was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen as the son of Nicolaas Hogenberg.
By the end of the 1560s Frans Hogenberg was employed upon Abraham Ortelius’s Theatrum Orbis Terrarum, published in 1570; he is named as an engraver of numerous maps. In 1568 he was banned from Antwerp by the Duke of Alva and travelled to London, where he stayed a few years before emigrating to Cologne. There he immediately embarked on his two most important works, the Civitates published from 1572 and the Geschichtsblätter, which appeared in several series from 1569 until about 1587.
Thanks to such large scale projects as the Geschichtsblätter and the Civitates, Hogenberg’s social circumstances improved with each passing year. He died as a wealthy man in Cologne in 1590. (Est 2000 usd) 4 tears on the sheet))

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44.0 x 31.0 cm.

One of the first wood block printed views of Istanbul (232 x 227mm.) The great walls of the city appear intact as the view is from the south, thus not revealing the damage inflicted by the canons used by Mehmet the Conqueror when he finally seized what was often called the ‘Golden Apple’ in 1453.

The pillar on which stood the famed statue of Constantine the Great is featured, as is Hagia Sophia along with many of the churches extant at that time. The famed chains used to control travel and to extort payment for use of the waterway are clearly illustrated, and sections of these very chains may be seen today in the Archaeological Museum of Istanbul.

Page from the richest illustrated Incunabula, the famous: Nuremberg Chronicle, published the year that Columbus returned to Europe after discovering America.
The woodblock cutters were Michael Wolgemut, the well-known teacher of Albrecht Dürer, and his stepson Wilhelm Pleydenwurff. Wohlgemut was Albrecht Dürer’s tutor between 1486-90 and recent scholarship has shown, Albrecht Dürer may also have collaborated, since some of the cuts bear a remarkably close resemblance to the Apocalypse illustrations.
The printing was carried out under the supervision of the great scholar-printer Anton Koberger, whose printing were famous throughout Europe

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1754, Halle, Geramany

15.4 x 43.4 cm.

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SEUTTER, Matthaeus, (1678-1756)

1730, Augsburg

32 x 57 cm.

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1698, Delft

99 x 30 cm.

Striking view of Istanbul and Uskudar from De Bruyn’s Reizen van Cornelis de Bruyn . . . .

The view shows Istanbul looking down the Bosphorus to the Sea of Marmara from the Golden Horn, which is filled with a variety of sailing crafts. To the right is the Topkapi Palace on Seraglio Point and across the Bosphorus is the Scutari, modern-day Uskudar.

The Dutch painter and traveler, Cornelius de Bruyn, traveled to Constantinople and the empire between 1677 and 1684. All the spires, minarets, mosques and especially the Aya Sophia are depicted here and the Bosphorus is filled with a variety of ships and boats. De Bruyn’s account of his travels through the Ottoman empire between 1677 & 1684 was profusely illustrated with engravings made from his drawings and sketches, which are noted for their objectivity and exactness. Printed on 2 joined sheets, as issued.

Cornelis De Bruyn Biography
Cornelis de Bruyn , 1652-c.1726 was a Dutch portrait painter and traveler.

De Bruyn painted for some years in Italy, where he was known, in Rome, as Adonis. Bruyn is remembered chiefly for the records of his extensive travels in Egypt, Persia, India, and other countries, illustrated with his own designs.

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1678, Delft

97 x 30 cm.

Striking view of Istabul from De Bruyn’s Reizen van Cornelis de Bruyn . . . .

This incredible panoramic view gives a spectacular image of Istanbul, the great capital of the Ottoman Empire. The major landmarks of Istanbul are all plainly visible.

The Dutch painter and traveler, Cornelius de Bruyn, traveled to Constantinople and the empire between 1677 and 1684. All the spires, minarets, mosques and especially the Aya Sophia are depicted here and the Bosphorus is filled with a variety of ships and boats. De Bruyn’s account of his travels through the Ottoman empire between 1677 & 1684 was profusely illustrated with engravings made from his drawings and sketches, which are noted for their objectivity and exactness. Printed on 2 joined sheets, as issued.

Cornelis de Bruyn , 1652-c.1726 was a Dutch portrait painter and traveler.

De Bruyn painted for some years in Italy, where he was known, in Rome, as Adonis. Bruyn is remembered chiefly for the records of his extensive travels in Egypt, Persia, India, and other countries, illustrated with his own designs.

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c. 1830

26 x 32 cm.

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43 x 28 cm.

A Very Large Engraved View Of A Military Parade Ground And Surrounding Buildings In Constantinople, With About 100 Figures, Mostly Soldiers. 17″ X 10 5/8″. Trimmed To Edges. Many Figures In Foreground Walking Or On Horseback, With Dogs, Horses, Etc.

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